Editorial, Winter 2024

An audio piece drawn from Farah Saleh’s performance Balfour Reparations, which imagines counterfutures for Palestine.

An examination of artist Miranda Whall’s When Earth Speaks: A Dirty Ensemble, which reimagines an alternative relationship with environmental data.

In this dialogue, Last Minute Live Arts’s Gao Shuyi and Bill Aitchison explore what it means to be radical in making performance art in China and the UK.

Kerry Priest reflects on the platform SOAK Live Art, situated in Plymouth, Devon, southwest UK

Violet Vincent McLean reflects on Nocturnal, a live art scratch night in Glasgow co-founded with Corvis Oleander in 2019.

An account by Marcus Bell of the 25th anniversary of Home Live Art, where five queer artists and their collaborators reflected on live art as a practice of gathering, collision and transformation.

In this evocative article with accompanying audio piece, Nicol Parkinson explores the use of sound recording as a documentary technology for live art.