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		<title>Interventions</title>
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		<copyright>© 2017 Contemporary Theatre Review</copyright>
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		<itunes:summary>Contemporary Theatre Review is an international peer-reviewed journal that engages with the crucial issues and innovations in theatre today. As a companion to the printed journal, online Interventions offer content that adds to and complements the themes and topics of the journal.</itunes:summary>
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<item>
	<title>Robyn Mayol and Ella Parry-Davies, Shadow/Boxing</title>
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	<pubDate>Thu, 31 Jan 2019 02:02:38 +0000</pubDate>
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	<description><![CDATA[We invite you to go for a walk. Bow./ There’s a map, but you don’t have to follow it. Maybe you want to get lost. Stance./ If you download the mp3 file below, your walk will be joined by the voices of others: members of the Thai Boxing Fighters Academy in Bethnal Green, east London. [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[We invite you to go for a walk. Bow./ There’s a map, but you don’t have to follow it. Maybe you want to get lost. Stance./ If you download the mp3 file below, your walk will be joined by the voices of others: members of the Thai Boxing Fighters Academy i]]></itunes:subtitle>
	<content:encoded><![CDATA[We invite you to go for a walk. Bow./ There’s a map, but you don’t have to follow it. Maybe you want to get lost. Stance./ If you download the mp3 file below, your walk will be joined by the voices of others: members of the Thai Boxing Fighters Academy in Bethnal Green, east London. [&#8230;]]]></content:encoded>
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	<googleplay:explicit>No</googleplay:explicit>
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	<title>Jessica Worden, Because softness means being careful with one&#8217;s self</title>
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	<pubDate>Thu, 11 Oct 2018 03:26:13 +0000</pubDate>
	<dc:creator><![CDATA[Contemporary Theatre Review]]></dc:creator>
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	<description><![CDATA[This sonic meditation on soft approaches to performance-making positions care, compassion, and vulnerability as central to a feminist value system. It grew from a desire to perform softness and to share how diverse feminist practices that slip between cracks, exist in overlooked spaces, and articulate both women’s experiences and the feminist aims within their work. [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[This sonic meditation on soft approaches to performance-making positions care, compassion, and vulnerability as central to a feminist value system. It grew from a desire to perform softness and to share how diverse feminist practices that slip between cr]]></itunes:subtitle>
	<content:encoded><![CDATA[This sonic meditation on soft approaches to performance-making positions care, compassion, and vulnerability as central to a feminist value system. It grew from a desire to perform softness and to share how diverse feminist practices that slip between cracks, exist in overlooked spaces, and articulate both women’s experiences and the feminist aims within their work. [&#8230;]]]></content:encoded>
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	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
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<item>
	<title>Fiona Morris, Chief Executive and Creative Director, The Space</title>
	<link>https://contemporarytheatrereview.org/podcast/fiona-morris-with-andy-lavender/</link>
	<pubDate>Wed, 01 Nov 2017 07:00:37 +0000</pubDate>
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	<description><![CDATA[Launched on 29 April 2014, The Space was founded by Arts Council England and the BBC. As noted on its website, ‘The Space brings arts organisations, artists and technology together to make great art and reach new audiences. We do this by commissioning projects, building digital skills, and helping organisations and venues reach more people [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[Launched on 29 April 2014, The Space was founded by Arts Council England and the BBC. As noted on its website, ‘The Space brings arts organisations, artists and technology together to make great art and reach new audiences. We do this by commissioning pr]]></itunes:subtitle>
	<content:encoded><![CDATA[Launched on 29 April 2014, The Space was founded by Arts Council England and the BBC. As noted on its website, ‘The Space brings arts organisations, artists and technology together to make great art and reach new audiences. We do this by commissioning projects, building digital skills, and helping organisations and venues reach more people [&#8230;]]]></content:encoded>
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	<itunes:summary><![CDATA[Launched on 29 April 2014, The Space was founded by Arts Council England and the BBC. As noted on its website, ‘The Space brings arts organisations, artists and technology together to make great art and reach new audiences. We do this by commissioning projects, building digital skills, and helping organisations and venues reach more people [&#8230;]]]></itunes:summary>
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	<googleplay:explicit>No</googleplay:explicit>
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<item>
	<title>Kevin Cunningham, Executive Artistic Director, 3-Legged Dog Media + Theater Group and 3LD Art &#038; Technology Center</title>
	<link>https://contemporarytheatrereview.org/podcast/kevin-cunningham-with-andy-lavender/</link>
	<pubDate>Tue, 31 Oct 2017 20:00:34 +0000</pubDate>
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	<description><![CDATA[3LD Art &#38; Technology Center, in Greenwich Street, Lower Manhattan, New York, is operated by the production company 3-Legged Dog Media + Theater Group. Founded in 1994, the company opened the 3LD Center in 2006, following the destruction of its previous base on West Broadway during the attacks of 9/11. As noted on its website, [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[3LD Art &#38; Technology Center, in Greenwich Street, Lower Manhattan, New York, is operated by the production company 3-Legged Dog Media + Theater Group. Founded in 1994, the company opened the 3LD Center in 2006, following the destruction of its previo]]></itunes:subtitle>
	<content:encoded><![CDATA[3LD Art &#38; Technology Center, in Greenwich Street, Lower Manhattan, New York, is operated by the production company 3-Legged Dog Media + Theater Group. Founded in 1994, the company opened the 3LD Center in 2006, following the destruction of its previous base on West Broadway during the attacks of 9/11. As noted on its website, [&#8230;]]]></content:encoded>
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	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
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	<title>Performance Matters Dialogues: Art, Performance, Film</title>
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	<pubDate>Thu, 01 May 2014 01:00:07 +0000</pubDate>
	<dc:creator><![CDATA[Contemporary Theatre Review]]></dc:creator>
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	<description><![CDATA[This dialogue about dialogue itself was recorded as part of the research project Performance Matters , and features filmmaker Hugo Glendinning, who collaborated with Adrian Heathfield for the Performance Matters film series Crossovers; documentary filmmaker Mike Dibb, most widely known for his groundbreaking television series with John Berger, Ways of Seeing (1972); writer Deborah Levy, [&#8230;]]]></description>
	<itunes:subtitle><![CDATA[This dialogue about dialogue itself was recorded as part of the research project Performance Matters , and features filmmaker Hugo Glendinning, who collaborated with Adrian Heathfield for the Performance Matters film series Crossovers; documentary filmma]]></itunes:subtitle>
	<content:encoded><![CDATA[This dialogue about dialogue itself was recorded as part of the research project Performance Matters , and features filmmaker Hugo Glendinning, who collaborated with Adrian Heathfield for the Performance Matters film series Crossovers; documentary filmmaker Mike Dibb, most widely known for his groundbreaking television series with John Berger, Ways of Seeing (1972); writer Deborah Levy, [&#8230;]]]></content:encoded>
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	<itunes:author><![CDATA[Contemporary Theatre Review]]></itunes:author>	<googleplay:description><![CDATA[This dialogue about dialogue itself was recorded as part of the research project Performance Matters , and features filmmaker Hugo Glendinning, who collaborated with Adrian Heathfield for the Performance Matters film series Crossovers; documentary filmmaker Mike Dibb, most widely known for his groundbreaking television series with John Berger, Ways of Seeing (1972); writer Deborah Levy, [&#8230;]]]></googleplay:description>
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	<googleplay:explicit>No</googleplay:explicit>
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