‘Evocative Objects’ collects the stories and memories behind objects brought by amateur theatre-makers to research workshops.
Nadine Holdsworth interviews 81-year-old Arthur Aldridge about a career that has moved between amateur theatre and the West End.
This slideshow of archival and contemporary images offers a guided tour of amateur theatre in the Royal Navy.
Drawing on interviews and ethnographic research, Molly Flynn reflects on the Royal Shakespeare Company’s Open Stages initiative that involved over 300 amateur theatre companies.
Georgina Guy and Johanna Linsley introduce ideas of permissibility and allowance which frame this special collection of Interventions.
PA Skantze and Laure Fernandez reflect on the modes of permissibility and allowance that attend their movements across national borders, and how these affect their work and lives.
Emma Cox inverts the liberal terms of the editors’ provocation to construct a powerful response to recent European referenda and increasing cultural permissions of exclusion.