This issue of Interventions explores what the digital might offer to performance scholarship, practice, and criticism.
In ‘Postmedia Performance’ Sarah Bay-Cheng offers theatre and performance scholarship a provocation to rethink its approach to making sense of the digital.
Using the interactive storytelling tool Twine, Megan Vaughan brings recent performances, public space and spaces of encounter into conversation.
Johanna Linsley talks with artist Brian House about his recent projects and the relationship between data gathering, participatory systems and the performance of the private and public.
‘Listening Post’ is a curated collection of artistic projects and critical reflections that offer insight into the performance of the vox populi, the ‘voice of the people’.
This issue of Interventions accompanies a special issue of the journal dedicated to the contemporary Scottish playwright and theatre director David Greig.
In this excerpt from a live conversation, Dan Rebellato talks with David Greig about what it’s like to have his work critically analysed and the playwright’s process of writing The Events (2013).