“CONJURORS! CONJURORS!…Who wrote this!”*: Some Reflections on Lanark: A Life in Three Acts
Victoria E. Price offers reflections on the 2015 production of Lanark: A Life in Three Acts, Greig’s adaptation of the 1981 Alasdair Gray novel of postmodern Scottish identity.
Welcome to the Fringe
Welcome To The Fringe, a collaboration between David Greig, Forest Fringe, and London’s Gate Theatre, supported Palestinian artists in visiting and presenting at the 2015 Edinburgh Festival Fringe.
Butterfly Mind
‘Butterfly Mind’, a performance-text adapted especially for the web, recreates David Greig’s journey on what he calls ‘an adventure in contemporary shamanic soul retrieval’.
Celebrating 25 Years of Contemporary Theatre Review (part 2)
This second collection of hand-picked articles from Contemporary Theatre Review‘s archives celebrates the journal’s 25th anniversary year. These articles will be freely available for the next six months, until June 2016.
This issue of Interventions focuses on the relationship between ‘practice’ and ‘research’, offering four different case studies in which these concepts are configured in quite different ways.
World Factory: The politics of conversation
In this cross-disciplinary forum, the research project and interactive performance World Factory, directed by Zoë Svendsen, is discussed from multiple perspectives ranging from social geography to marketing.
The Sick of the Fringe
Brian Lobel and Hannah Maxwell assess The Sick of the Fringe, a Wellcome Trust-funded programme of talks and events exploring the relationship between medicine and the arts at the Edinburgh Festival Fringe.
