‘Die Kränkungen der Menschheit’, or, How to Intervene into Troubled Times
Azadeh Sharifi draws on Anta Helena Recke’s Die Kränkungen der Menschheit at Münchner Kammerspiele in 2019 to expose the exclusion of ethnic groups and migrants from the discourse on German identity.
Theatre After #MeToo: Sexual Abuse and Institutional Change in Poland
Agnieszka Jakimiak confronts sexual abuse and mobbing in European theatre institutions looking at selected examples and her own theatre show, nosexnosolo from 2019 that focuses on Jan Fabre’s case.
21-09-20: An excerpt from Andrei Kureichik’s Insulted. Belarus(sia), written in real-time to the events unfolding around the 2020 Belarus election. Translator John Freedman introduces the piece and the worldwide reading project.
20-08-20
Milia Ayache’s ‘Vocal Hygiene,’ with original artwork by Lina Ghaibeh, is a satirical survival handbook for actors in a revolution.
Editorial by issue editor Eleanor Roberts, with Ella Parry-Davies, Aneta Mancewicz, Bella Poynton, and Broderick Chow
Logic of prelude: on use value, pleasure, and the struggle against agony
Giulia Palladini theorizes the musical ‘prelude’ as a temporal structure that actualizes possible futures in the present.
Exhaustion and Its Entanglements: Relational Ethos, Minoritarian Positionality, and These Political Times
Asif Majid reexamines Octopus from “Entangling the British Muslim Woman” through the personal lens of minoritarian positionality, and the exhaustion it can produce specifically for Muslim artists.
