Interventions 28.1 (March 2018)
Anna McMullan introduces the set of Interventions published alongside this special issue on Staging Beckett and Contemporary Theatre and Performance Cultures, co-edited with Graham Saunders.
Incommensurable Corporealities? Touretteshero’s Not I
Derval Tubridy explores questions of neurodiversity and agency in the performance of Beckett’s Not I by Jess Thom of Touretteshero.
End/Lessness
Jonathan Heron discusses his series of projects with the late Beckett theatre scholar and performer, Rosemary Pountney, and the digital iterations and traces of that collaboration.
Virtual Play: Beckettian Experiments in Virtual Reality
Nicholas Johnson and Néill O’Dwyer reflect on a series of projects that use virtual reality and other twenty-first century technologies to creatively interpret Beckett’s plays.
Beckett, Ireland and the Biographical Festival: A Symposium
Reporting on a symposium they co-organised, Trish McTighe and Kathryn White argue that an analysis of festival culture is an important aspect of the consideration of Beckett’s place within contemporary art.
Interventions 27.4 (December 2017)
This issue probes questions of ‘the civic’: the space where citizen meets public. A series of provisional reports from Broderick Chow, Jen Harvie, Simon Bayly, Elaleh Hatami & Sepideh Zarrin Ghalam
Free Dissociations
Simon Bayly, with Johanna Linsley, probe the state of ‘contact’, relation and non-relation, and the limits of writing for approaching all of these.