LIVE ART
Editorial, Winter 2024
Balfour Reparations (2024-2044): Imagining Counter Palestinian Futures by Confronting Histories of Erasure
An audio piece drawn from Farah Saleh’s performance Balfour Reparations, which imagines counterfutures for Palestine.
When Earth Speaks: A Dirty Ensemble
An examination of artist Miranda Whall’s When Earth Speaks: A Dirty Ensemble, which reimagines an alternative relationship with environmental data.
Radical Live Art in China: A Dialogue
In this dialogue, Last Minute Live Arts’s Gao Shuyi and Bill Aitchison explore what it means to be radical in making performance art in China and the UK.
SOAK Live Art: How Art Thrives in the Fertile Margins
Kerry Priest reflects on the platform SOAK Live Art, situated in Plymouth, Devon, southwest UK
Starting From Scratch: Nocturnal Scratch Nights
Violet Vincent McLean reflects on Nocturnal, a live art scratch night in Glasgow co-founded with Corvis Oleander in 2019.
“I’ve been looking for things that last”
An account by Marcus Bell of the 25th anniversary of Home Live Art, where five queer artists and their collaborators reflected on live art as a practice of gathering, collision and transformation.
The Live Art Listener in the Retrospective Present
In this evocative article with accompanying audio piece, Nicol Parkinson explores the use of sound recording as a documentary technology for live art.
Latest journal
Read the latest issue of this international peer-reviewed journal that engages with the crucial issues and innovations in theatre today. Each issue includes in-depth articles addressing a range of topics and forms, reflections on the creative process collected in the Documents section, book reviews, and Backpages, a forum for immediate responses to current events from scholars and practitioners. The latest issue is available on Taylor & Francis Online >>